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Headless Fowl

by Big John Bates: Noirchestra

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  • Record/Vinyl + Digital Album

    ALSO AVAILABLE DIRECTLY FROM:
    EU - RookieRecords.DE
    US - AlternativeTentacles.COM

    For an early taste of the Noirchestra, Big John Bates brings you Headless Fowl, so dark they call their sound Americana Noir.

    Breeding chamber punk with the Americana Bates is famous for this EP adds to the impact with rustic lyrics and soulful vocals. Part of the Battered Bones sessions, it was produced by Robert Ferbrache (16 Horsepower, Woven Hand, Slim Cessna) and portrays the sweeping intensity and dark feel that comes from the depths of Denver's Absinthe Studios.

    Includes unlimited streaming of Headless Fowl via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Bonus of Amerkin video by filmmaker Hora Morrior
    Purchasable with gift card

      $3 CAD  or more

     

  • Full Digital Discography

    Get all 4 Big John Bates: Noirchestra releases available on Bandcamp and save 30%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Skinners Cage, From the Bestiary to the Leathering Room, Battered Bones, and Headless Fowl. , and , .

    Purchasable with gift card

      $12.60 CAD or more (30% OFF)

     

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about

Americana-UK Review: Vancouver-based Big John Bates’ seems to have more in common with a slasher movie than with the Old Weird Southern Gothic we know and love – these aren’t ghosts and vampires plodding around the swamps, but something pretty gruesome. Probably with a machete. A big machete.

Setting the tone is the instrumental opener “Amerkin” … it moves from mournful bass with subdued drums and spectral guitar to a powerhouse of railroad drumming and blood curdling yells. Musically it’s a blend of Jack White style blues, Calliope organ, thumping drums and banshee wails. It’s hypnotic and intriguing but be careful – the left hand may be beckoning – but the hand hidden behind the back is holding that knife, Jack.

It may only last a whisker over eighteen minutes but they are eighteen unforgettable minutes – raw and knowing and powerful and half-joking – and all worth hearing.

credits

released February 25, 2012

Upright Bass, Cello & Voice by Brandy Bones
Guitars, Dobros & Voice by Big John Bates
Percussion by Timothy Hagberg

Mixed and Mastered by Robert Ferbrache
Recorded by Todd Simko

Cover Art: Brandy Bones
Back cover photo: Voodoo Bill
Piano & Accordion: Glen "Cobra" Wilson
Other instruments: Todd Simko

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Big John Bates: Noirchestra Vancouver, British Columbia

Big John Bates came out of late 90's second-wave psychobilly and carved out a name touring Europe, Canada and the American underground punk circuit from Washington to Florida.

Since 2012 our sound has morphed into the Gothic Americana of the Noirchestra. I also have a past in thrash metal, as singer and co-writer/founder of Annihilator so we cover a helluva lot of musical ground.
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